The market-implied odds heavily favor no public exhibition of the Leonardo-attributed Salvator Mundi by year-end, reflecting its unbroken absence from view since the 2017 Christie’s sale. Owned by Saudi Crown Prince Mohammed bin Salman, the painting has remained in storage amid repeated delays, including the indefinite postponement of its planned Louvre Abu Dhabi debut and its exclusion from the Louvre’s 2019 Leonardo retrospective. Credible reports point to it awaiting completion of a dedicated museum complex in Al-‘Ula, a project originally eyed for earlier timelines but now appearing stalled. No official announcements, guild or institutional signals, or credible reporting have emerged to suggest imminent display, sustaining trader consensus around persistent logistical and attribution-related hurdles. A last-minute unveiling tied to a Saudi cultural milestone remains a narrow theoretical path to resolution.