Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Résumé expérimental généré par IA à partir des données Polymarket. Ceci n'est pas un conseil de trading et ne joue aucun rôle dans la résolution de ce marché. · Mis à jour#2 Chanson Spotify cette semaine ? (25 septembre)
#2 Chanson Spotify cette semaine ? (25 septembre)
Earrings - Malcolm Todd 20%
Ain't in LA - ADELA 20%
Nicole Kidman - ADÉLA 8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj 3.0%
NOUVEAU
NOUVEAU
25 sept. 2026
Earrings - Malcolm Todd
20%
Ain't in LA - ADELA
20%
Nicole Kidman - ADÉLA
8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj
3%
BbY WOW - KAROL G, Judeline, rusowsky
3%
The One That Got Away - Katy Perry
3%
Bass Persuades - Miley Cyrus
3%
Earrings - Malcolm Todd 20%
Ain't in LA - ADELA 20%
Nicole Kidman - ADÉLA 8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj 3.0%
NOUVEAU
NOUVEAU
25 sept. 2026
Earrings - Malcolm Todd
$0 Vol.
20%
Ain't in LA - ADELA
$0 Vol.
20%
Nicole Kidman - ADÉLA
$40 Vol.
8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj
$0 Vol.
3%
BbY WOW - KAROL G, Judeline, rusowsky
$0 Vol.
3%
The One That Got Away - Katy Perry
$0 Vol.
3%
Bass Persuades - Miley Cyrus
$0 Vol.
3%
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
Marché ouvert : Sep 18, 2026, 6:07 PM ET
Volume
$40Date de fin
25 sept. 2026Marché ouvert
Sep 18, 2026, 6:07 PM ETSource de résolution
https://open.spotify.com/chartsRésolveur
0x69c47De9D...Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
Volume
$40Date de fin
25 sept. 2026Marché ouvert
Sep 18, 2026, 6:07 PM ETSource de résolution
https://open.spotify.com/chartsRésolveur
0x69c47De9D...Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Résumé expérimental généré par IA à partir des données Polymarket. Ceci n'est pas un conseil de trading et ne joue aucun rôle dans la résolution de ce marché. · Mis à jour
Méfiez-vous des liens externes.
Méfiez-vous des liens externes.
Questions fréquentes