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icon for Billboard 200 #1 Album Week of July 11

Billboard 200 #1 Album Week of July 11

icon for Billboard 200 #1 Album Week of July 11

Billboard 200 #1 Album Week of July 11

I'm The Problem - Morgan Wallen 48%

Dandelion - Ella Langley 47%

The Great Divide - Noah Kahan 47%

GOLDEN HOUR: Part.5 - ATEEZ 47%

Polymarket
新規

I'm The Problem - Morgan Wallen 48%

Dandelion - Ella Langley 47%

The Great Divide - Noah Kahan 47%

GOLDEN HOUR: Part.5 - ATEEZ 47%

Polymarket
新規

I'm The Problem - Morgan Wallen

$7 Vol.

48%

Dandelion - Ella Langley

$7 Vol.

47%

The Great Divide - Noah Kahan

$7 Vol.

47%

GOLDEN HOUR: Part.5 - ATEEZ

$7 Vol.

47%

Iceman - Drake

$7 Vol.

46%

You Seem Pretty Sad for a Girl So in Love - Olivia Rodrigo

$7 Vol.

45%

The Wow! Signal - Muse

$7 Vol.

45%

Habibti - Drake

$10 Vol.

45%

The Art of Loving - Olivia Dean

$67 Vol.

44%

Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”. This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”. This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”. The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.**Multiple albums sit near even odds for the Billboard 200 summit the week of July 11 because no single blockbuster is slated to dominate that tracking period.** Recent releases continue shaping the landscape: Olivia Rodrigo’s “You Seem Pretty Sad for a Girl So in Love” opened at No. 1 in mid-June with a massive 485,000 units and strong initial streaming, giving it a solid base that could carry into early July. Drake’s May projects “Habibti” and “Iceman” have already demonstrated sustained traction, while Morgan Wallen’s “I’m the Problem” (2025) retains catalog power and consistent streaming volume. Other listed contenders such as Noah Kahan, Ella Langley, ATEEZ, and Muse projects benefit from fan-driven streaming or genre-specific spikes but lack the broad multi-metric punch needed for a clear lead. With the July 10–17 release window featuring more modest titles (Madonna’s “Confessions II,” Gracie Abrams, Jack White, and reissues), traders see a wide-open field where small differences in streaming velocity, playlist adds, or tour-related bumps could decide the winner. The near-50% pricing across the board reflects this uncertainty and the difficulty of forecasting exact consumption mixes two weeks out.

Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”.

This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”.

This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”.

The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.
音量
$126
終了日
2026/07/07
マーケット開始日
Jun 26, 2026, 2:04 PM ET
Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”. This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”. This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”. The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.
Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”. This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”. This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”. The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.**Multiple albums sit near even odds for the Billboard 200 summit the week of July 11 because no single blockbuster is slated to dominate that tracking period.** Recent releases continue shaping the landscape: Olivia Rodrigo’s “You Seem Pretty Sad for a Girl So in Love” opened at No. 1 in mid-June with a massive 485,000 units and strong initial streaming, giving it a solid base that could carry into early July. Drake’s May projects “Habibti” and “Iceman” have already demonstrated sustained traction, while Morgan Wallen’s “I’m the Problem” (2025) retains catalog power and consistent streaming volume. Other listed contenders such as Noah Kahan, Ella Langley, ATEEZ, and Muse projects benefit from fan-driven streaming or genre-specific spikes but lack the broad multi-metric punch needed for a clear lead. With the July 10–17 release window featuring more modest titles (Madonna’s “Confessions II,” Gracie Abrams, Jack White, and reissues), traders see a wide-open field where small differences in streaming velocity, playlist adds, or tour-related bumps could decide the winner. The near-50% pricing across the board reflects this uncertainty and the difficulty of forecasting exact consumption mixes two weeks out.

Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”.

This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”.

This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”.

The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.
音量
$126
終了日
2026/07/07
マーケット開始日
Jun 26, 2026, 2:04 PM ET
Billboard updates the Billboard 200 albums chart each Tuesday (with adjusted release schedules on some holiday weeks), reflecting data from the previous week (Friday-Thursday). Each Billboard chart is then dated “Week of (date of the upcoming Saturday)”. This market will resolve according to the number 1 album on the Billboard 200 chart dated “Week of July 11, 2026”. This market will resolve as soon as the relevant chart is published. If the Billboard 200 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”. The resolution source for this market will be the Billboard 200 chart for the specified week, published on the Billboard website (https://www.billboard.com/charts/billboard-200/) or through other official Billboard channels.

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よくある質問

「Billboard 200 #1 Album Week of July 11」はPolymarket上の9個の結果が可能な予測市場で、トレーダーが何が起こるかに基づいてシェアを売買します。現在のリード結果は「I'm The Problem - Morgan Wallen」で48%、次いで「Dandelion - Ella Langley」が47%です。価格はコミュニティのリアルタイム確率を反映しています。例えば、48¢で取引されているシェアは、市場がその結果に48%の確率を集合的に割り当てていることを意味します。これらのオッズは継続的に変化します。正しい結果のシェアは市場決済時に各$1で引き換え可能です。

「Billboard 200 #1 Album Week of July 11」はPolymarket上で新しく作成された市場です(Jun 26, 2026開始)。早期の市場として、最初のトレーダーの一人としてオッズを設定し、市場の初期価格シグナルを確立するチャンスです。このページをブックマークして、取引量と活動を追跡することもできます。

「Billboard 200 #1 Album Week of July 11」で取引するには、このページに記載されている9個の利用可能な結果を閲覧します。各結果には市場の暗示確率を表す現在の価格が表示されています。ポジションを取るには、最も可能性が高いと思う結果を選び、「はい」で支持するか「いいえ」で反対するかを選択し、金額を入力して「取引」をクリックします。選んだ結果が市場決済時に正しければ、「はい」のシェアは各$1を支払います。正しくなければ$0です。決済前にいつでもシェアを売却できます。

「Billboard 200 #1 Album Week of July 11」の現在のフロントランナーは「I'm The Problem - Morgan Wallen」で48%であり、市場がこの結果に48%の確率を割り当てていることを意味します。次に近い結果は「Dandelion - Ella Langley」で47%です。これらのオッズはトレーダーがシェアを売買するにつれてリアルタイムで更新されます。頻繁に確認するか、このページをブックマークしてください。

「Billboard 200 #1 Album Week of July 11」の決済ルールは、各結果が勝者と宣言されるために何が起こる必要があるかを正確に定義しています。これには結果を決定するために使用される公式データソースも含まれます。このページのコメント上にある「ルール」セクションで完全な決済基準を確認できます。取引前にルールを注意深く読むことをお勧めします。