The United Kingdom’s entry from Look Mum No Computer, “Eins, Zwei, Drei,” has driven the strongest market consensus for last place, as its eccentric electronic style has drawn lukewarm reactions during rehearsals and stands out poorly against this year’s stronger field in Vienna. Host nation Austria follows closely behind, with Cosmó’s “Tanzschein” facing the classic risk of inflated expectations and limited jury-televote crossover despite automatic qualification. Germany’s Sarah Engels track “Fire” occupies the next tier, hampered by a familiar mid-tempo ballad that lacks the standout production or staging momentum seen in frontrunners like Finland. With the grand final underway, any late polling shifts or performance miscues could still widen the gap among these automatic qualifiers before points are tallied.