**Limited theatrical rollout for A24’s “You Can See Everything,” the Nathan Fielder/Lance Oppenheim documentary on Elizabeth Holmes premiering at the New York Film Festival ahead of its October 16 date, anchors current trader views.** Recent trailer release and early critical feedback have generated modest buzz for the platform release, yet the film’s niche subject and typical A24 arthouse positioning point to contained opening-weekend results in a market where 6–7 million and 7 million-plus brackets sit closest. Key swing factors include final theater count, weekend competition from wider titles, and any late festival momentum that could lift per-screen averages. Historical patterns for similar prestige docs suggest limited upside beyond mid-single-digit starts unless reviews accelerate word-of-mouth.