Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Eksperymentalne podsumowanie AI odwołujące się do danych Polymarket. To nie jest porada handlowa i nie ma wpływu na rozstrzyganie tego rynku. · Zaktualizowano#2 Spotify song this week? (September 25)
#2 Spotify song this week? (September 25)
Earrings - Malcolm Todd 20%
Nicole Kidman - ADÉLA 20%
Ain't in LA - ADELA 8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj 3.0%
NOWE
NOWE
Sep 25, 2026
Earrings - Malcolm Todd
20%
Nicole Kidman - ADÉLA
20%
Ain't in LA - ADELA
8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj
3%
BbY WOW - KAROL G, Judeline, rusowsky
3%
The One That Got Away - Katy Perry
3%
Bass Persuades - Miley Cyrus
3%
Earrings - Malcolm Todd 20%
Nicole Kidman - ADÉLA 20%
Ain't in LA - ADELA 8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj 3.0%
NOWE
NOWE
Sep 25, 2026
Earrings - Malcolm Todd
$0 Wol.
20%
Nicole Kidman - ADÉLA
$40 Wol.
20%
Ain't in LA - ADELA
$0 Wol.
8%
Beauty and a Beat - Justin Bieber ft. Nicki Minaj
$0 Wol.
3%
BbY WOW - KAROL G, Judeline, rusowsky
$0 Wol.
3%
The One That Got Away - Katy Perry
$0 Wol.
3%
Bass Persuades - Miley Cyrus
$0 Wol.
3%
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
Rynek otwarty: Sep 18, 2026, 6:07 PM ET
Wolumen
$40Data zakończenia
Sep 25, 2026Rynek otwarty
Sep 18, 2026, 6:07 PM ETŹródło rozstrzygnięcia
https://open.spotify.com/chartsRozstrzygający
0x69c47De9D...Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Spotify curates a playlist of the most streamed songs globally and updates it on Fridays to reflect streaming data for the previous week, beginning on the preceding Friday and ending on Thursday.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
This market will resolve according to the second most-streamed song globally on Spotify for the week labeled September 25. Songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
If Spotify does not release its #2 song for the week labeled September 25 by September 26, 2026, 11:59 PM ET, this market will default to "Other".
The resolution source for this market will be official information from Spotify. The weekly top songs chart can be found on open.spotify.com under the "Charts" heading.
This market and these products have not been endorsed by Spotify. Any references to Spotify, Spotify charts, streaming data, or any associated marks are descriptive only and do not indicate an endorsement of this product or any affiliation between Spotify and Polymarket. Spotify and related marks are the property of Spotify AB and its group companies.
Wolumen
$40Data zakończenia
Sep 25, 2026Rynek otwarty
Sep 18, 2026, 6:07 PM ETŹródło rozstrzygnięcia
https://open.spotify.com/chartsRozstrzygający
0x69c47De9D...Recent streaming data shows a tight race for the #2 global or U.S. Spotify spot heading into the week ending September 25, with catalog tracks and recent releases trading momentum through TikTok virality and steady daily gains. Malcolm Todd’s “Earrings,” two years post-release, continues climbing on short-form video trends and recent chart peaks, while Katy Perry’s 2011 hit “The One That Got Away” benefits from its designation as TikTok’s Song of the Summer and sustained playlist placement. Newer entries like KAROL G’s “BbY WOW” with Judeline and rusowsky post strong upward trajectories from Latin crossover appeal, and tracks such as ADÉLA’s “Ain’t in LA” and “Nicole Kidman” plus Miley Cyrus’s “Bass Persuades” add pressure via targeted promotion and streaming spikes. Justin Bieber and Nicki Minaj’s “Beauty and a Beat” lingers as a nostalgic contender amid fluctuating competition, leaving resolution dependent on final weekly aggregates and any late viral surges.
Eksperymentalne podsumowanie AI odwołujące się do danych Polymarket. To nie jest porada handlowa i nie ma wpływu na rozstrzyganie tego rynku. · Zaktualizowano
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